Import WALL

Set in the aftermath of the Iraq War, The Wall is a thoughtful and contemplative cinematic experience in a thrilling package. The commentary on war and metaphors of camouflage and "enemies on the other side of a wall" set it apart from dumb-down war pics. The Wall is a 10 out of 10.

Not for humans! This is not for humans. A film made to entertain terrorists. There's no reason it to be called an anti-American film. But there's certain rules for everything, that's a fairy-tale always has to end 'happily ever after' and in a film about terrorism, all terrorists must die. The biggest shock is it was made by a well known filmmaker for his some blockbusters. This is a limited cast and a day event film. I did not think the entire film was bad. Only the end ruined everything. If it had a better conclusion, might have been as good as 'Kajaki'. The character looked unique, because you don't always have a highly skilled, intelligent soldier on the field. That's the best part, and then the most of the narration was simply empty, total drag or time wasting events. Recommended to skip it without a second thought! 1/10

"The Wall" makes the most of, but never quite lives up to, Aaron Taylor-Johnson's magnetic performance in the title role. While the film is intense and has great sniper action, it drags and suffers from a jarring ending.

Gritty and atmospheric but unrealistic (don't doubt me; I've been there) and agonizingly slow. And one of those rare movies where the enemy wins. A complete waste of time.

'The Wall' takes advantage of its dusty singular location to deliver a psychological war thriller whose claustrophobic atmosphere heightens the tense cat-and-mouse game of dialogue on display between an American soldier (played by Aaron Taylor-Johnson in a terrific performance) and a concealed Iraqi sniper. Unfortunately, the abrupt ending I wasn't a fan of, however, it's still a gripping little movie from Doug Liman that I would recommend checking out.